Rode PodMic Dynamic Broadcast Microphone Streaming Bundle with StreamEye BOOMARM1 Boom Arm, Cans50 Headphones, and 10-Foot XLR Cable - Cardioid, Internal Pop Filter, No Phantom Power

Features

• COMPLETE STREAMING SETUP, MIC + ARM + HEADPHONES + XLR CABLE: The PodMic ships with the microphone and integrated swing mount and nothing else no arm, no cable, no headphones. This bundle adds the StreamEye BOOMARM1 27-inch boom arm with 2.8 lb capacity, the StreamEye Cans50 closed-back monitoring headphones with 50mm drivers, and a balanced 10-foot XLR cable. Four components, one purchase, every wired link from microphone to interface to monitoring chain. Nothing left to source before the first session.
• BROADCAST RADIO SOUND IN AN UNTREATED ROOM: Most condenser microphones pick up the keyboard, the fan, and the dog because they're built for treated studios. The PodMic's tight cardioid dynamic capsule needs you 1 to 4 inches off the grille and that proximity rejects everything else. End-address dynamic capsule, 20Hz to 20kHz response with the broadcast-warm midrange that flatters spoken voice, 320 ohm output to a real interface. Record voice that sounds like an FM radio podcast, in a bedroom, with no acoustic panels on the walls.
• INTERNAL POP FILTER AND INTERNAL SHOCKMOUNT BUILT INTO THE BODY: Most broadcast mic setups require a separate gooseneck pop screen and an external shockmount cradle. The PodMic does not. Dual-mesh housing absorbs plosives before they reach the capsule no pop screen blocking the on-camera shot. The capsule is internally suspended on the swing mount and the swing mount is internally decoupled from the body desk thumps and arm-adjustment noise stay out of the recording. Two accessories most mic kits ship with, already inside this body.
• STREAMEYE BOOMARM1 SOLVES DESKTOP POSITIONING WITHOUT A FLOOR STAND: The PodMic weighs 865 g heavy enough to demand a real boom arm, not a desk tripod. The BOOMARM1 is built for that load. 27 inches of horizontal reach, 2.8 lb capacity, aluminum alloy with external tension springs that adjust quietly. Detachable universal mic clip fits the PodMic. Desk clamp fits edges up to 2.95 inches thick. 3/8 and 5/8 inch thread adaptors included for any future broadcast or condenser mic upgrade. The arm that holds the mic without sag and adjusts without spring noise on the take.
• STREAMEYE CANS50 GIVES YOU THE MONITORING CHAIN YOU NEED: Streaming and podcasting without monitoring is recording blind. The Cans50 closed-back studio headphones plug into any audio interface or RODECaster headphone jack and let you hear exactly what's being recorded in real time. 50mm drivers, 15Hz to 25kHz response, 32 ohm impedance drive them off any interface without a separate headphone amp. Closed-back design isolates monitoring from the cardioid pattern below. 90 degree fold-flat earcups for comfort across multi-hour sessions. 1/4 inch adapter in the box.
• BALANCED XLR PATH WITH COMMON-MODE REJECTION FROM CAPSULE TO PREAMP: The signal chain matters as much as the mic. The included 10-foot XLR cable is balanced 3-pin male-to-female with full shield common-mode rejection eliminates hum, buzz, and RF interference across the entire run. Long enough to route through cable management to a desk-mounted or shelved audio interface; short enough not to coil into the recording space. The detail you don't think about until a longer unshielded cable picks up your monitor's switching power supply.
• WORKS WITH ANY AUDIO INTERFACE OR PODCAST CONSOLE XLR IS UNIVERSAL: The PodMic is XLR-only, and that's the point. It feeds any audio interface (Focusrite Scarlett, RODE AI-1, RODECaster Pro II, Streamer X, Apollo, MOTU) with per-channel preamp gain and processing. Works with Mac, Windows, and Linux through whatever interface you choose. Compatible with Pro Tools, Logic, Ableton, Reaper, OBS, Streamlabs, Audition, and every major podcast and stream production tool. Buy the mic once. Keep it through your next ten interface upgrades.